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What's on Disc by Thomas Schulte  
   
ELECTRIC GUITARS, ELECTRIC WOMEN

A trio of recordings from electrified female musicians provides excellent listening. Multi-instrumentalist Kate Simpkins plays guitar, bass, keyboards as well as singing the words to the songs she wrote on Station (www.katesimpkins.com). The music is intelligent and poetic from this AAA, sophisticated, song-oriented performer in the tradition of Paula Cole and Sara McLachlan. Speaking of Canadian talent, Rita Chiarelli presents her bold, brassy blues-rock on another fine solo album: Breakfast at Midnight (Northern Blues Music, www.northernblues.com). The powerful vocalist presents a solid, rocking blues band steeped in Chicago traditions. Vocalist Julie Adams is a talented singer-songwriter that also has true ability to make a song her own. On Live, Vol. 2 (Gadfly; POB 5231, Burlington, VT 05402; www.gadflyrecords.com) the Mountain Stage Band joins her for a follow up recording of sophisticated jazz-rock and folk-rock originals and covers. An impressive array of guest appearances includes those made by Bruce Cockburn, Duke Robillard and more.
 
   
SEPTEMBER 2001 REVIEWS >>>>>>>>>>  
   
DeleriumDelerium
Poem
Nettwerk Productions
1650 W. 2nd Ave, Vancouver, B.C., Canada V6J 4R3
http://www.nettwerk.com
info@nettwerk.com

Delerium is creators of ethnotechno with deep, substantial rhythms. As if the lineup changes that were prologue to this release infused an opening dynamism, most of the tracks feature a different guest artist. These include Mediaeval Baebes, Lisa Gerrard, Sixpence None The Richer's Leigh Nash and more. This album is about the female voice and Delerium's techno, the only exception being the effeminate voice of Matthew Sweet on one track. The group's sophisticated world beat is a unique offering in contemporary electronica. (4)
 
   
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Tara Jane ONeil
In The Sun Lines
Quarterstick Records
POB 25342, Chicago, IL 60625
info@tgrec.com

Simply recorded in a Louisville ballroom, In The Sun Lines echoes the understated melancholy that is ONeil's style and the signature of the Louisville-Chicago mood rockers she springs from: The Sonora Pine, Retsin and Rodan. Various guest artists from that scene were brought without preparation into this personal project of minimalism and melody. (3.5)
 
       
    Cesaria EvoraCesaria Evora
Sao Vicente
Windham Hill

Cesaria Evora is the peerless jazz vocalist from Cape Verde. She is an Edit Piaf with African touches. The dialect of Portuguese sung here sounds distinctly French and transports us to a pre-World War II Parisian lounge. Evora chose songs from Mario Lucio, Ti Goy, B. Leza and more to put together a mosaic looking back on tougher days and celebrating a life that sees Evora take her music around the globe. Bonnie Raitt duets with Evora on Crepuscular Solidao and elsewhere Evora shares the vocals with Pedro Guerra, Chucho Valdes, Orquesta Aragon and Caetano Veloso. (5)
 
       
   
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    Elza
Elza
Elza
540 W. Boston Post Rd, Box 198, Mamaroneck, NY 10543
http://www.elzamusic.com

Elza grew up traveling between a mother in South Carolina doing watercolors and a father in Germany inclined to Classical music. She wound up with songs of vivid lyrics and tight pop melodies. She briefly went into operatic training before returning to songwriting with greater technical ability. Her award-winning talents make Elza a superlative album. (3.5)
 
       
   
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    Paved CountryPaved Country
Deconstructing Paradise
Paved Country
http://www.pavedcountry.com

Paved Country is a song-oriented modern country ensemble led by two female vocalists: Sarah Mendelsohn and Marjie Alonso. They write the songs and alternate between lead and harmony vocals. Their songs on the different aspects of love are beautiful and moving featuring a wide range of acoustic guitar types and varied instrumentation, including bass saxophone and pedal steel, on every track. (3.5)
 
       
   
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    Jann ArdenJann Arden
Blood Red Cherry
Rounder/Zoë
http://www.rounder.com

Jann Arden is a singing songwriter. She is a true songbird in the classic pop sense. Minimal backing on this album, largely of electro-beats serves to bring her voice and poetry directly to the surface. Listen to the production of Patsy Cline and Anne Murray albums and you will hear that Arden is following a tested formula of past divas. Each Arden pop-rock track aches with real, heartfelt emotion on this petal-delicate release. (3.5)
 
       
   
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    Current reading list:
"The Psychology of Computer Programming" (Weinberg)
"New York is Now! The New Wave of Free Jazz" (Phil Freeman)
"A History of the Arab Peoples"
"Lost Empires" (J. B. Priestly)
"War and Peace" (Tolstoy)
"Small Change: A Life of Tom Waits" (Patrick Humphries)
 
       
   
 
 
 

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