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One & TwentyOne & Twenty
I Don't Remember Falling
Falling Blakhol Records
http://www.one-and-twenty.com

One & Twenty is a quartet with a funky side to their rock-n-roll. Featured in this ensemble is the powerful, soulful voice of vocalist Carol Thomas. Thomas, a black woman and guitarist, takes One & Twenty down an R&B-inspired style path not usually encountered in rock groups. Having originally started as an acoustic outfit, I Don't Remember Falling finds the group having entirely fallen in love with electric rock and performing the original music boldly. If Nina Simone, with a lyric similar to Thomas, had decided to go rock and roll, the result would have been something like One & Twenty. (3)
 
   
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Luciana SouzaLuciana Souza
Brazilian Duos
Sunnyside
http://www.sunnysidezone.com
sunnyside@attglobal.net
http://www.LucianaSouza.com

Coming out of relative obscurity, Souza achieved widespread success with critics viewing Brazilian Duos as an exquisite jazz album. Part of the success may be Souza's realistic and natural recording technique. Souza opted for an in-studio live recording capturing all performers simultaneously along with the occasionally pops and clicks that reverberate authenticity. Of course, it is more talent that mere technique responsible here. Foremost are Luciana's excellent vocals and lucid phrasing that draws the listener deep into each track. Also, her vocals must and effectively do convey the gentle swing to tehse melodies in the absence of a percussionist. Also, the duo settings – Souza performs with three different acoustic guitarists – makes the songs intimate, small and personal moments. Especially notable is Marco Pereira whose 8-string abilities enrich the music with a wider range of tones. There is a subtle bossa nova influence arising from her songwriter parents. (Father Walter Santos appears on the album.) Beside hereditary, there is content here as Souza excellent gems from Jobim, Walter Santos and more for these duo arrangements. (4.5)
 
       
   
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    The Shangri-Las
Myrmidons of Melodrama
Cherry Red Records/RPM Productions

Combing their rare debut 45, several B-sides and unforgettable LP cuts with a 4,800-word CD booklet, Myrmidons of Melodrama is an incredible document of this female vocal group. With songs like "Leader of the Pack" and "Give Us Your Blessings," the girls were controversial and at the center of the teen "death-disc" phenomenon. With tracks like the free and jazzy "Sophisticated Boom Boom" and "Give him a Great Big Kiss" they were on the edge of stereo experimentation. Admittedly, there recording career contains forgettable fluff. However, Myrmidons of Melodrama compile the crème de la crème into one important and memorable collection. (5)
 
       
   
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    Dana Cunningham
Dancing at the Gate
RockingEchoMusic
http://www.danacunningham.com

Dancing at the Gate is a beautiful and soothing instrumental piano album of a dozen tracks. Riding a wave of satisfying extra-Christian spirituality, Dana enhanced her academic studies of piano with apprenticeship in healing modalities at Esalen Institute along with Swedish massage therapy and energy work. Dana's scintillating, impressionistic pieces like "Light on Water" and "Wild Geese (in accordance with a poem by Mary Oliver)" cleanse the mind with massaging energy. (4)
 
       
   
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    Voices On The VergeVoices on the Verge
Live in Philadelphia
Slow River/Ryko
http://www.rykodisc.com
info@rykodisc.com
http://www.voicesontheverge.com

Voices on the Verge is an indie female songwriter supergroup composed of Beth Amsel, Rose Polenzani, Jess Klein and Erin McKeown. The success of an initial shared engagement led to a tour and now this album where each artist gets to lead their own songs with the others supporting. Primarily a vocal project with understated acoustic guitar support, Live in Philadelphia is an exquisite document of the experience that caused one message board posted to declare, "RUN, do not walk, to this show." In this round robin of styles the energy is kept high and especially noticeable is the '30's folksy style song-pop of Erin McKeown as she uses the other ladies for boogie-woogie backing. (5)
 
       
   
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    V For Vendetta
Beneath this Mask Another Mask
Mr. Lady Records
http://www.mrlady.com

V For Vendetta offers a delicate and intricate math-rock with whispy vocals subsumed into the angular guitar sounds. Those vocals lying just beneath the surface are Michelle Marchese, singer for this artful duo. Along with Cara Hyde, this group offers a spectrum of configurations: We hear them in drums and guitar, drums and bass, guitar and bass as well as two guitar and samples modes. All cuts but the third track feature Michelle's vocals as suitable juxtaposition adding warming the mechanical delivery. The female duo have strong feelings on philosophy and the politics of perception if one listens close enough, there's a world of thought on Beneath this Mask Another Mask. Comparison to the Spinanes is a good reference point for this Providence, Rhode Island group that began realizing their personal math-rock vision in 1998. While there is something melancholy and serious about the mood of this disc, V is for Vendetta do manage a larger-that-duo sound when they intensify their playing and begin to recall classic prog-rock sounds. While they never come close to a King Crimson assault, they should maintain the interest of even zealots for that high water mark in the genre. (3.5)
 
       
   
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    Florence DoreFlorence Dore
Perfect City
Slewfoot Records
http://slewfootrecords.com

The back of this album shows Florence Dore in between shelves of library books. This is rather fitting because she is a professor of American literature, specializing in Faulkner. Perhaps this academic is part of her remarkable way with words. These memorable, if often melancholy, lyrics are showcased on an excellently engineered album produced by guitarist Eric "Roscoe" Ambel (Steve Earle, Bottle Rockets, Blood Oranges). The tough country rock behind her is a nice juxtaposition to her Lucinda Williams-style falsetto. Much of that toughness comes from the power beats of drummer Dennis Diken (The Smithereens). (4)
 
       
   
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    Outsight brings to light non-mainstream music, film, books, art, ideas and opinions.

Published, somewhere, monthly since July 1991. Feel free to re-print this article.

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