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Michelle Malone:
The New Sound of Southern Rock

by Brenda Kahn


Michelle Malone
 
   
Step aside, it’s Michelle Malone. The powerhouse southern rocker has released her eighth CD, Stomping Ground a collection of well-crafted songs with those perfectly messy guitar solos and tons of soul. The album is a confluence of rock, folk, R&B, and blues, and recalls the energy and quality of the early seventies rock that included acoustic Rolling Stones and Rod Stewart. Malone calls the music Chattahootchi Swamp Rock. “It’s not the southern rock of Lynyrd Skynyrd - were not that.” she explains, “There’s dobro, mandolin, and a lot of grassroots instruments, but my love is rock ‘n’ roll. There are also a whole lot of electric guitars and Marshall stacks.”

Born and raised in Atlanta, GA, Malone learned about music in church. Her mother is cabaret singer Karyn Malone, and her stepfather was a drummer and the choir minister at her church. She attended high school during the year, and in the summers, she and her brother went on tour with their mom. Having a mother who was a performer was a big influence on the young Malone who remembers seeing a picture of her mom in the paper. “She was wearing huge bell bottoms and hoop earrings and long hair. I grew up thinking that’s the way my life would be when I grew up. Glad they came back in style (bell bottoms).”

In addition to her own music, Karyn Malone introduced her daughter to everything from Bessie Smith to Janis Joplin, Led Zeppelin, opera, and classical music. “She’s one of the people in my life I have so much respect for.” Says Malone, “Her strength and her courage… women have the ability to do anything they put their minds to. Especially my mother. She handed that stubborn Southern rebellion down to me.”

Touring for over a decade, she has criss-crossed the nation many times appearing at extremely diverse venues. “There have been many highs and lows,” She laughs, “I’ve played in every little po-dunk shithole across the country. I played a dorm room in Iowa where they were making their own beer in their room, and I played for 35,000 people or more touring with ZZ Top. I’ve also done shows with The Indigo Girls, Dave Mathews, and opened up for Ellen DeGeneres.” While the big stage has it’s advantages, Malone especially loves the intimate setting of house concerts. “People invite you into your homes, and they’re there specifically to hear your music, unlike a bar where they might be there to hear your music but they might be there to find a date.”

Maintaining a positive attitude toward her music has allowed Malone to make it work from the beginning. She hasn’t had a “proper” job since high school, always finding a way to play music for a living. “All things are possible,” she explains, “you just have to be 110% committed to what you want to do. I just really want people to know that about themselves. The blue print is in there.”

Malone started her career in 1987, releasing her first CD New Experience on her own SBS Records. Two short years later she landed a deal with Arista Records and Relentless was released on Arista in 1990. She recalls her major label experience as “stifling, political and corporate.” Turning in demo after demo for the second CD, the label did not support her music. Finally Malone asked to be let go, noting irreconsilable differences. “Major labels are right for some people and not for others,” says Malone of her Arista experience, “I’m very stubborn, and I have a really good idea of what I want to do and how I want to do it. I didn’t want to play a game.” Happiest with an independent label, she continued to release five more albums on SBS Records.

For Stomping Ground, Malone signed a distribution deal with Daemon Records. Daemon is an independent label owned by Amy Ray of the Indigo Girls. Malone felt comfortable working with Daemon being a long-time friend of Amy Ray who she met in college in the late eighties. “Working with Daemon” says Malone, “is as close to being with family as I could get in the music world.” Working with Daemon will allow Malone support for the record at retail and help with publicity and radio promotion. Their distribution network will put Stomping Ground in stores across the U.S., and the album will be available for sale at Daemonrecords.com and other online stores.

In addition to her own music, Malone helps to build the community of independent artists by releasing independent music samplers through SBS Records. She gives them away all over the world. And bands from all over the world send songs to her. The samplers are funded by the artists through a small fee for production of the CD. “We want to encourage artists of all genres and at all levels to keep making independent music.”
 
   
   
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For more information about Michelle Malone, check out these Web sites:

Michelle Malone Home Page:
http://www.michellemalone.com/

Daemon Records:
http://www.daemonrecords.com/

WOMANROCK.com
http://www.womanrock.com/features/michelle_malone.html
 
       
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Brenda Kahn is a New York recording artist and the editor of WOMANROCK.com. Past notes from the Editor.
 
       
   
 
 
 

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